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Larry Neal or Lawerence Neal (September 5, 1937 – January 6, 1981) was a scholar of African-American theatre. He is well known for his contributions to the Black Arts Movement of the 1960s and 1970s. ==Biography== Neal was born in Atlanta, Georgia. He graduated from Lincoln University (Pennsylvania) in 1961 and received a master's degree in 1963 from the University of Pennsylvania. From 1968 to 1969, Neal taught at the City College of New York. The following year he taught at Wesleyan University. He taught at Yale University from 1970 to 1975. Neal is known for working with Amiri Baraka to open the Black Arts Repertory Theatre/School. His early writings—including "The Negro in the Theatre" (1964), "Cultural Front" (1965), and "The Black Arts Movement" (1968)—were influential in defining and describing the role of the arts in the Black Power era. His essays and poems appeared in publications such as ''Liberator'', ''Drama Critque'', ''Black Theatre'', ''Negro Digest'', ''Performance'', and ''Black World''. He also uncovered Ed Bullins's plagiarism of Albert Camus's play ''The Just Assassins''. He won a Guggenheim Fellowship in 1970.〔http://www.poetryfoundation.org/bio/larry-neal〕 Neal died from a heart attack in 1981. His papers are at the Schomburg Center for Research in Black Culture, a research library apart of the New York Public Library.〔http://archives.nypl.org/scm/20745〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Larry Neal」の詳細全文を読む スポンサード リンク
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